The altarpiece of the Assumption was an altarpiece in oil on board (the two side angels are painted in tempera) Moretto, dating from 1529 to 1530.
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The altarpiece of the Assumption was an altarpiece in oil on board (the two side angels are painted in tempera) Moretto, dating from 1529 to 1530.
The Portrait of a clergyman is an oil painting on canvas (101,5×78 cm) Moretto, dating from about 1545 and preserved in the Alte Pinakothek of Monaco of Bavaria.
Our Lady of Carmel is a tempera painting on canvas (272×298 cm) Moretto, dating from circa 1522 and stored in the Gallerie dell’Accademia in Venice.
The portrait of Fortunato Martinengo Cesaresco is an oil painting on canvas (113,6×93,9 cm) Moretto, dated 1542 and in the National Gallery in London.
Portrait of a Man full length is an oil painting on canvas (201 À 92 cm) Moretto, dated 1526 and in the National Gallery in London.
Santa Giustina of Padua and a donor is an oil painting on canvas (200×139 cm) Moretto, dating from 1530 and kept in the Kunsthistorisches Museum in Vienna.
The Altarpiece of London is an oil painting on canvas (352×228 cm) Moretto, dated to 1540 and in the National Gallery in London, in the Central Hall.
The Madonna and Child in Glory with Saints Jerome, Francis and Anthony Abbot is an oil painting on canvas (255×185 cm) Moretto, dated to about 1543 and the Pinacoteca di Brera in Milan.
Christ with the cross and a devotee is an oil painting on canvas (78×62 cm) Moretto, dated 1518 and preserved in the Academy Carrara in Bergamo.