Madonna Del Beccuto is a fresco (90×102 cm) by Paolo Uccello, dating from about 1420 to 1425 and stored in the National Museum of San Marco in Florence.
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Madonna Del Beccuto is a fresco (90×102 cm) by Paolo Uccello, dating from about 1420 to 1425 and stored in the National Museum of San Marco in Florence.
The Annunciation is a painting in tempera and gold on wood (64,6×47,5 cm) by Paolo Uccello, dating from around 1425 and kept in the Ashmolean Museum in Oxford.
The Crucifixion is a tempera painting on canvas (46×67 cm) by Paolo Uccello, dating from about 1457 to 1458 and at the Museo Thyssen-Bornemisza in Madrid.
The dead Christ supported by two angels is a painting in oil and tempera on panel (81×79 cm) of Marco Palmezzano, dated 1510 and preserved in the Louvre Museum in Paris.
The Sforza Altarpiece is a painting in tempera and oil on canvas (230×165 cm), the Master of the Sforza Altarpiece, dating from 1494 to 1495 and in the Pinacoteca di Brera in Milan.
The Pala Brass, or Madonna of the Swallow, is a painting in tempera and gold on panel by Carlo Crivelli, dating from about 1490-1492 and in the National Gallery in London.
Shovel Kress is a marble relief (91A-55 cm) of Gasparo Cairndow, dated to about 1505 to 1510 and in the National Gallery of Art in Washington (inv.
The altarpiece of Santa Maria in Porto (also called Pala Portuense) is an oil painting on canvas (323×240 cm) by Ercole de ‘Roberti, dated from 1479 to 1481 and in the Pinacoteca di Brera in Milan.
The barbadori altarpiece (Madonna and Child, angels, St. Frediano and St. Augustine) is a work, tempera on panel (208×244 cm) by Filippo Lippi, dated to 1438.
The Pala Ansidei is an oil painting on a poplar panel (274×152 cm) by Raphael, dated (on the brink of the Virgin’s mantle beneath the left hand) in 1505 and in the National Gallery in London.