The Adoration of the Magi is a painting, oil on canvas (241 x 180 cm), Pietro Perugino, dating, according to the study, from 1470 to 1473 or to 1476 and approximately preserved in the National Gallery of Umbria in Perugia.
Visitation with St. Anne is a tempera painting on canvas (32×34 cm) attributed to Pietro Perugino, dating from about 1472 to 1473 and in the Galleria dell’Accademia in Florence.
The Madonna and Child with Saint Catherine of Alexandria and a saint is an oil painting on canvas (86,5×63 cm) by Pietro Perugino, dating back to 1493 and preserved in the Kunsthistorisches Museum in Vienna.
The Three Saints is a painting in tempera and gold on wood (each 63×33 cm) by Pietro Lorenzetti, dated to about 1315, and in the Museo Horne in Florence.
The Majesty of Cortona is a painting in tempera and gold on wood (126×83 cm) by Pietro Lorenzetti, dated to about 1315 to 1320 and stored in the Diocesan Museum of Cortona.
The risen Christ is a fresco by Pietro Lorenzetti, dated to 1336-1337 and in the Museo dell’Opera del Duomo in Siena.
The artist, unlike Canaletto, does not seek, in his paintings, in the results of clear perception, but offers an interpretation of real data subjective and evocative, creating images of cities evanescent and unreal;sometimes reaching a pre-defined sensitivity romantic, thanks to flaking of the forms and melancholy shadows.
The Portrait of Pietro Bembo is an oil painting on canvas (94,5×76,5 cm) by Titian, dating back to 1539 and in the National Gallery of Art in Washington.
Two monkeys chained is an oil painting on canvas (20×23 cm) by Pieter Bruegel the Elder, dated 1562 and preserved in Gemà¤ldegalerie Berlin.
The Suicide of Saul is an oil painting on canvas (33,5×55 cm) by Pieter Bruegel the Elder, dated 1562 and preserved in the Kunsthistorisches Museum in Vienna.