The Tabernacle Carnesecchi is a painting tempera on wood transferred to canvas (height 241 cm) by Domenico Veneziano, dating from about 1440 to 1444 and in the National Gallery in London.
The Adoration of the Shepherds is a painting in oil on wood transferred to canvas (215×170,2 cm) by Luca Signorelli and aid, which dates to 1496 and in the National Gallery in London.
The Portrait of John Augustine of the Tower with his son Niccolò is an oil painting on canvas (85×68,2 cm) by Lorenzo Lotto, dated 1515 and in the National Gallery in London.
The Sea Port with the embarkation of Saint Ursula is an oil painting on canvas (112,9×149 cm) by Claude Lorrain, signed and dated 1641, and in the National Gallery in London.
The Portrait of John of the Volta with his wife and children is an oil painting on canvas (85×68,2 cm) by Lorenzo Lotto, dated 1515 and in the National Gallery in London.
The Portrait of a Lady in the role of Lucrezia is an oil painting on canvas (95,9×110,5 cm) by Lorenzo Lotto, dating from around 1533 and in the National Gallery in London.
Seven Saints is a painting in tempera on wood (68×151,5 cm) of the painter Filippo Lippi, dating from about 1450 to 1453 and in the National Gallery in London.
The Apparition of the Virgin to St. Bernard by Filippo Lippi, tempera on wood (98×106 cm), datable to 1447 and preserved in the National Gallery in London.
The carton of Saint Anne (Sant’Anna, the Madonna and Child with St. John the Baptist) is a drawing in black chalk, white lead and smudge on paper (141,5×104,6 cm) by Leonardo da Vinci, dated to 1501-1505 around and in the National Gallery in London.
The second version of the Virgin of the Rocks is an oil painting on wood (189,5×120 cm) by Leonardo da Vinci, dating from 1494 to 1508 and in the National Gallery in London.