The Formelle cabinet in the sacristy of Santa Croce is a series of twenty-eight paintings in tempera and gold on wood (approximately 35×30 cm each tile, except the first and last of the two series, measuring 35×25 cm, and the two semi-lunettes of 67×76 cm each) by Taddeo Gaddi, dating read more
The triptych of the Madonna Enthroned with Saints is a painting in tempera and gold on wood (170×209 cm) by Spinello Aretino, signed and dated 1391, and in the Galleria dell’Accademia in Florence.
The Santo Stefano is a painting in tempera and gold on wood (93×33 cm) by Spinello Aretino, dating from about 1400 to 1405, and in the Galleria dell’Accademia in Florence.
Venus and Cupid is an oil painting on panel (128A-194 cm) by Pontormo, designed by Michelangelo Buonarroti, dating from around 1533 and in the Galleria dell’Accademia in Florence.
The Altarpiece of the Annunciation (Descent from the Cross and the Assumption in the main panels) is an oil painting on canvas (334×225 cm the central panel) initiated by Filippino Lippi and completed after his death, by Pietro Perugino, dated 1504 to 1507 and in the Galleria dell’Accademia in Florence read more
Visitation with St. Anne is a tempera painting on canvas (32×34 cm) attributed to Pietro Perugino, dating from about 1472 to 1473 and in the Galleria dell’Accademia in Florence.
The Vallombrosa Altarpiece is an oil painting on canvas (415×246 cm the panel) by Pietro Perugino, dated 1500 and in the Galleria dell’Accademia in Florence.
The Thebaid is a tempera painting on canvas (83×118 cm) by Paolo Uccello, dated to 1460 and in the Galleria dell’Accademia in Florence.
The Tree of Life is a painting in tempera and gold on wood (248×151 cm) of Pacino’s Buonaguida, dating from about 1305 to 1310 and in the Galleria dell’Accademia in Florence.
The Pentecost is a painting in tempera and gold on wood (195×287 cm) by Andrea Orcagna and his brother Jacopo di Cione, dating from about 1362 to 1365 and in the Galleria dell’Accademia in Florence.