The Triptych of Benedetto Portinari is an oil painting on wood (first panel 45,5×34,5 cm, 43X31 second, third 45×34) by Hans Memling, dated 1487 and on the right panel in the Galleria degli Uffizi in Florence (side panels) Gemà¤ldegalerie and Berlin (central compartment).
The Redeemer between the Virgin and three saints is a painting in tempera and gold on wood (85×210 cm), signed and dated 1271 by Meliore Jacopo; It is in the Galleria degli Uffizi in Florence.
Shield with the head of Medusa is the subject of a painting made in 1597 about the Italian painter Michelangelo Merisi da Caravaggio.
The frontal of the Saviour (Redeemer blessing among the symbols of the evangelists and stories of the True Cross) is a painting in tempera and gold on wood (98×198 cm) of the Master of Tressa, dated 1215 and preserved in the National Art Gallery of Siena.
The Madonna di San Martino is a dipointo tempera and gold on wood (162×125 cm), the Master of San Martino (eponymous opera), dating from about 1270 to 1280 and stored in the National Museum of San Matteo in Pisa.
The Virgin enthroned between saints Catherine of Alexandria and Barbara is an oil painting on canvas (84×70 cm) of the Master of Hoogstraeten, dated to 1520 and stored in the Uffizi Gallery in Florence.
The Mass at Bolsena is a fresco (about 660×500 cm) by Raphael and aid, dating to 1512 and located in the Room of Heliodorus, one of the Vatican Stanze.
Il Trittico Carnesecchi was a work of Masolino which partecipಠapparently also Masaccio.
The Madonna of Humility attributed to Masolino or Pesello is a painting in tempera and gold on wood (110,5×62 cm), dating back to before 1423 and in the Galleria degli Uffizi in Florence.
The Foundation of Santa Maria Maggiore is a tempera on panel (144×76 cm) of Masolino, once central panel of the front of the Colonna Altarpiece.