The Salting Madonna (Madonna and Child) is an oil painting on board (43,2×34,3 cm) attributed to Antonello da Messina, dating from about 1460 to 1469 and in the National Gallery in London.
The Salvator mundi (or blessing Christ) is an oil painting on board (38,7×29,8 cm) by Antonello da Messina, dating from about 1465 to 1475 and in the National Gallery in London.
The Crucifixion is an oil painting on board of linden (41,9×25,4 cm) by Antonello da Messina, dated 1475 and in the National Gallery in London.
The Portrait of Charles I on horseback is an oil painting on canvas (367×292 cm) of Anthony van Dyck, dating back to 1636 and in the National Gallery in London.
The portrait is Cornelius van der Geest, spice merchant in Antwerp and dean of the Guild of Merchants.
Savage Portrait of Dorothy, Viscountess Andover, and his sister Elizabeth, Lady Thimbleby (Portrà¤t der Ladies Elisabeth Thimbleby und Dorothy Viscountess Andover) is a painting in oil on canvas by the Flemish painter Anthony van Dyck, located at the National Gallery in London .
This painting refers to painting Emperor Theodosius and Ambrose made a few years earlier, in 1618 by Rubens, with the help of their van Dyck.
The temptations of santÂ’Antonio abbot is a painting by Annibale Carracci.
The Venus, Cupid, Folly and Time is an oil painting on canvas (146×116 cm) by Agnolo Bronzino, dating from about 1540 to 1545 and preserved since 1860 at the National Gallery in London.
Samson and Delilah is a tempera painting glue on linen canvas (47×37 cm) by Andrea Mantegna, dating from about 1495 to 1500 and in the National Gallery in London.