The Pieta is a tempera on panel (57,5×32 cm) by Filippo Lippi, dated between 1437 and 1439 and kept at the Poldi Pezzoli Museum in Milan.
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The Pieta is a tempera on panel (57,5×32 cm) by Filippo Lippi, dated between 1437 and 1439 and kept at the Poldi Pezzoli Museum in Milan.
The Pietà is a work of Filippo Lippi, tempera on panel (22×15 cm), in the Museo Horne in Florence and datable to around 1435-1440.
The Novitiate Altarpiece (Madonna and Child with Saints) is a work of Filippo Lippi, tempera on panel (196×196 cm), dating from about 1440 to 1445 and in the Galleria degli Uffizi in Florence.
The Pala Alessandri (San Lorenzo Enthroned with Saints Cosmas and Damian and donors) is a work of Filippo Lippi, tempera on panel (central 120,9×105,9 cm, lateral 72,4×38,1 cm), dated to about 1453 and kept at the Metropolitan Museum of Art in New York.
The Madonna of the Girdle is work, tempera on panel (207×200 cm) by Filippo Lippi and assistants, made between 1456 and 1460 and in the Museo Civico of Prato.
The Meeting of Joachim and Anna at the Golden Gate is part of a dais of an altarpiece (tempera on panel (20,5×47,9 cm) by Filippo Lippi, dating from 1440 to 1445 and preserved nell’Ashmolean Museum of Oxford.
The Funeral of St. Jerome is an altarpiece by Fra Filippo Lippi, tempera on panel (268×165 cm), dated between 1452 and 1460 and in the Museo dell’Opera del Duomo di Prato.
The Annunciation with St. Julian is a painting, tempera on panel (73×48 cm) by Filippo Lippi and aid, dated to about 1455 and preserved in the Museum of Prato.
The Apparition of the Virgin to St. Bernard by Filippo Lippi, tempera on wood (98×106 cm), datable to 1447 and preserved in the National Gallery in London.
The Annunciation is a tempera on panel (100×161 cm) by Filippo Lippi, dating from about 1435-1440 and preserved in the National Gallery of Art in Washington.